All posts by lisatracyauthor

And about West Virginia …

OK, I promise this is the last time you’ll hear from me about the severe disconnect in this country, at least until after Nov. 8.

I voted for President Obama twice and I’d do it again in a heartbeat. I hope he goes down in history as the smart, courageous, compassionate human being he is, and for all he has accomplished.

It turns out, in the latest New Yorker, that a big chunk of West Virginia voted for him too. That was a surprise, to me at least.

But this time they’re voting for Trump. And “Trump Country” explains why. An excerpt:

Trump seemed … to treat West Virginia like family, and he had noticed that many West Virginians in return treated Trump like family, brushing off the things he said that sounded nuts or that they didn’t agree with. “In Iraq, I listened to David Petraeus speak every day about how we had to rebuild Iraq’s oil infrastructure and protect it,” Richard Ojeda says. “But, if we’re going to go to trillions of dollars in debt over Iraq, why can’t we go billions of dollars in debt and make every single coal-producing plant clean in West Virginia? Don’t we deserve a hand? We built this country with the steel that came out of our coal, and we protected this country with our soldiers, and nobody cares. We’re more willing to give millions of dollars to people in other countries who’d just as soon put a bullet in the back of our heads. That’s why West Virginia is going to vote for Trump.”

The thing is, it really doesn’t matter whether we agree with, like, or admire each other at this point. If we don’t resolve our differences in some way, we’re pretty much doomed. Of course that includes differences with people we may have been taught to disregard, disrespect, even despise. My sister says the core Trump constituency is made up of people who know they’ve pretty much been written off, personally and economically. I think she’s right.

I’m seeking to start with understanding, hoping for discourse.

The link: http://www.newyorker.com/magazine/2016/10/10/in-the-heart-of-trump-country

“From heres” and “come heres” ~ Rockbridge County ctd.

 

Do I know you?

The way her eyes narrow says it all. She’s walking toward me as I drive across Myers Street and raise my hand in the customary (hereabouts) greeting-in-passing.

Her face bears the stamp of our mountain country: weathered skin, strong bones, creases at the corners of those pale blue eyes that traveled across the North Atlantic a couple of centuries ago, the creases proof of years of outdoor work.

Her gray hair is neat and nondescript and she is wearing a purple sweatsuit, a nice one.  She is clearly not someone who steps out for a trip to the post office or a walk around the block without some forethought.

What’s it to you,  I hear her thinking as I put my hand back on the wheel. Not for her this Johnny-come-lately habit of waving at strangers. Back in the day, you only greeted people you actually knew, from church or school or perhaps the grocery store, and that’s good enough for her. None of this raising a hand or doing the two-finger waggle now popular on our narrow county roads as two vehicles weave past each other.

I stand reproved. She is right. I’m not from here, even though I was born in this very town more than sixty years ago. I am not a “from-here.” My family were outlanders, “come heres,” and from the North to boot, which sometimes still matters here.

She is not. She is from here, and these mountains are truly her home, their shifting patterns of light and shadow ingrained in her being from so far before birth that she has to stop and count the generations. And count them she can. They are buried in a family cemetery somewhere in the county, or in old church cemeteries with names like Ebenezer or New Providence.

I want to protest. I grew  up here. I too know the light and the shadow, and I see – or rather hear, coming back from the flatlands where I spent most of my adulthood – how in the mountains, the sound only travels from one end of the hollow to the other. It does not travel miles, the way it does over flat land, so that you might hear the noise of a highway five miles distant if the wind is blowing your way.

Not here. Here, you will only hear what the mountains let you hear. You will not hear the dog or the child or the highway from the other side of the ridge line.

And I want to tell her that I too see how their colors change, these mountains, how right now they wait for fall’s flaming brilliance but will soon  lie brown and sleeping in the winter sun. How the spines of their leafless trees stand up like prickly fur. How they will turn pale green in spring, darker in summer, flame bright again in autumn. How we can walk their trails and listen to the birds call.

But we won’t have that conversation, she and I. There are many divisions besides ridgelines in these mountains. She is of the tribe J.D. Vance calls his “hill people,” and I know it is a term of hard-earned and well-deserved respect. But we won’t have that conversation either. Her purple sweatsuit recedes in my rearview mirror, and we go on into our respective days.

Photo caption:  Looking across Rockbridge County to the Blue Ridge from the top of the road where I live … this is her ancestral land. I’m just a “come here,” but it is my land too.

Edward Albee, The Zoo Story, And The Rest Of Us

I was 16 the spring that Edward Albee came to Lexington, Virginia. Lexington at that point was a rural county seat still unconnected by interstates to the greater world. But it was home to two colleges and the crossroads of two old Indian trails turned two-lane U.S. highways, over which tractor-trailers labored endlessly en route from, say, Richmond, Virginia to Richmond, Indiana or wherever.

It was 1962. Albee, who died last week, came to Lexington at the behest of a theatrical genius named Cecil Jones, who happened to be the director of the local university’s rather humble theatre. Based in an old shoe factory at the edge of campus, the theatre was home to the Washington & Lee Troubadours, a proud but ragtag group who performed everything from Shakespeare to Giradoux in a space that had a catwalk for a lighting booth, no wing space, a costume loft that doubled as a unisex dressing room, tattered folding seats for the audience, precious little heat in winter and stifling temperatures the rest of the year.

Albee was an emerging leader of the avant-garde theatre of the absurd in New York, intriguing critics and baffling the public. He came to W&L as a guest artist/professor for 10 days, gave one public lecture, and sat in one of the Troubs’ fraying seats as two young men took the stage – juniors, and already veterans who’d played Iago and Roderigo just two months earlier on that same stage. They launched bravely, or perhaps even a bit casually, into their first reading as Peter (John Dunnell) and Jerry (Tim Morton) on The Zoo Story’s park bench.

Albee immediately stopped them. Gave instructions. And again.  And again. The stopping and starting  went on for what seemed like an agonizing half hour or more – it’s a one-act play – and Albee wouldn’t budge beyond the opening lines till they had it to his satisfaction, while the rest of us out in the house squirmed in empathetic agony.

There were no women at W&L in those days, so townswomen, professors’ wives and high school students took the Troubs’ female roles. I was by then more or less a regular, and as it turned out, I would end up understudying the role of Grandma in The American Dream, Albee’s sendup of post-WW II American domestic life, and also a one-act, paired with The Zoo Story.

We didn’t even GET to a reading of The American Dream that night, as I recall, or maybe I’d gone home by then to do my high school homework – but from that production of Dream hangs a tale.

Here it is: Albee’s Who’s Afraid of Virginia Woolf opened at the Billy Rose Theater in New York that fall – some six months after his stay in Lexington – and it centered, of course, on the dysfunctional life of a small college town.

As it happens, Woolf’s four characters are the savagely bored alcoholic academic couple George and Martha, and the newly arrived young prof Nick and his wife, Honey. By then, Albee had already done at least one stint as a college professor, so he’d seen the backstage of academic life. But as it also happens, the lead male role in our American Dream was a devastatingly handsome young man named – in real life – Nick; his mother was played by a faculty wife named Martha; and another faculty wife, also associated with the production, often turned her smooth Southern accent upon  her husband, addressing him with affectionate exasperation as “HonnnnEEYYYY,” when he’d return from the supermarket or hardware store without some crucial item.

Coincidence? If so, such an intriguingly close one. Only George – Richard Burton in the film – is unaccounted for. My theory: Albee had the play all but written. Perhaps he’d already named the George and Martha characters after our nation’s First Couple, and the rest fell into place. Or maybe that trope suggested itself  in the wake of Lexington. It’s the stuff of myth.

As for me, I spent the spring trying vainly to memorize Grandma’s role, when it turned out that the elderly frat-house mom who’d been cast in the part couldn’t keep the endlessly repetitive dialogue straight. Neither could I. In the end she got it, and was her usual wickedly clever self on stage. By then, Albee was gone, to continue streaking across New York’s artistic sky, a theatrical meteor – fixed in my 16-year-old memory, based on that first night, as a cosmic jerk. But then, he was so young then too – just 33, a raw and edgy troubadour himself, who had already penned these lines for posterity:

Sometimes it’s necessary to go a long distance out of the way in order to come back a short distance correctly.

  • Jerry, in The Zoo Story

Food for Thought: What we eat and how we eat it

I spend a lot of time these days thinking about is where the heck our beloved country is heading at any given moment.  Are we pioneers or just plain crazy?

But I also think about material culture, and …. FOOD.

So I hope this  will be a bit of a palate cleanser for you in the midst of our current political mayhem – not to mention earthquakes in Italy, floods and hurricanes, and  the trials of dealing with technology.

Here’s Food for Thought about things we can actually DO something about: Some simple ideas about what we are eating these days — and a great ratatouille recipe. The tips come from a site called BioTrust Nutrition (they sell stuff, but I just removed their pitch and am passing along the interesting info). The ratatouille is mine.

Today’s tidbits — It’s not just what we eat, but how we eat it. BTN’s  nutrition expert notes that :

  • if you’re eating pre-sliced strawberries,  vitamin content can be compromised byf exposure to oxygen ( its job, after all, is to oxidize, and it does that to any foods it can –  a sliced berry is more exposed to oxygen than a whole one). So eat them whole, or don’t slice them till you are ready to eat them, and get the full benefit of their antioxidant vitamins A and C.
  • When you open your Greek yogurt, don’t discard the liquid on top. That’s whey, and it is packed with protein, vitamins, and calcium. Stir it back in, and enjoy.
  • While many if not most fruits and veggies are best consumed raw, so that their vitamin content is preserved, tomatoes are more useful nutritionally if cooked. That’s because the lycopene in tomatoes is concentrated with cooking. Studies show lycopene is a powerful antioxidant.  So roast or grill, make fresh tomato sauce, slice and add those ubiquitous cherry tomatoes to soups, ratatouille, stir fry – or just saute them and serve as a side dish.

The BioTrust website, despite hawking all kinds of alleged nutritional products, has good advice. You may want to check it out at www.biotrust.com – but it’s only fair to advise that you might also end up on their sometimes annoying email list.

You’re still with me? Then enjoy this super-quick way to make great ratatouille, devised and demystified  by my sis and myself. And by demystified, I refer to the always-problematic question of how to cook the eggplant and also make all the veggies come out looking beautiful and retaining their texture … So:

GREAT END OF SUMMER RATATOUILLE

To serve 3-4 people, you’ll need one large or PREFERABLY 3-4 SMALL eggplants. The small ones are sweeter and less trouble to cook. Then, 1 zucchini, 1 yellow squash, 1 green pepper, a small onion, a clove or two of garlic, olive oil,  and about a pint of cherry tomatoes or 4 large tomatoes, plus assorted herbs (a half cup of fresh basil if available, oregano or marjoram, thyme).

Set the oven at 350.

Cut up the eggplant. If small ones, slice ‘em about an inch thick per slice. If large, cut into one-inch chunks. Place in a good-sized bowl, drizzle with olive oil, and coat the pieces of eggplant, tossing them with your hands. Cut up the yellow squash, into slices or chunks, and toss it with the eggplant. Spread both on a cookie sheet and place in oven.

Cut up the pepper, garlic, and onion. Slice the zucchini, and halve or chop up the tomatoes. In two separate skillets, start sautéing the pepper and garlic in one, while sautéing the zucchini and onion in the other. This is because the zucch is the most delicate of the veggies and will just dissolve into mush if you cook it very long. So turn it off as soon as the onions are translucent and let it sit.

Now add the tomatoes to the simmering pepper mixture, season with dried oregano and thyme (1 tsp. each) and a little salt if you wish,  and cook over low heat until well disintegrated. You will likely want to add about ¾ cup of water or wine to keep them from burning.

By now the eggplant and yellow squash should be roasted enough to finish cooking along with the tomato-pepper mixture. (The eggplant should be a muted, soft beige when removed from oven.) Add eggplant and yellow squash and simmer for 6-8 minutes. Add zucch mixture and simmer another 3 minutes. Add chopped basil, turn off heat, and let stand till ready to serve.

Ratatouille can be an entrée if served over angel hair (my fave), couscous, or rice. Serve with tossed salad and a good sourdough bread. And wine, of course!

 

 

9/11/2016

Fifteen years … so much has happened that we couldn’t have foretold, in these fifteen years. But today I am not thinking about all we might wish to have changed, or what we now know about ourselves and the world that we didn’t know that we knew, on that day.

Today I heard from a friend who was working for FEMA that day. And I’m thinking of another who was living in New York.

Susan, then working for FEMA, sends this:

I was supposed to fly to Europe that evening .  Instead, FEMA deployed me …  I was assigned to Arlington to do what we could for Virginians affected by the attack on the Pentagon.  My daily morning task was listening to the general brief families. Day after day we were told about non-viewable remains recovered from the rubble of the Pentagon.  I accompanied the families on the last site visit before it was closed. As difficult as being in Washington was, I was grateful not to be called to New York, which held so many more personal connections.  I still struggle with retirement and have been going through  years of files.

My young friend Emily was living in the Apple, bartending at an East Side sports bar.  New York was her dream. She lived on Liberty Street, right under the towers. She called them her mountains – they were central to her love of New York and her life in the city, a landmark that could take her safely home to her little shared apartment in  southern Manhattan no matter what the time of day or night.

That morning, she woke to thunder in the sky and an earthquake below. Her building was vibrating. She threw on her new Nikes and ran to the roof. There she saw it all – the flames, the wavering buildings, the people leaping from their windows. She was maybe 22. “We have to run, they’re going to fall,” she told her roommate. They fled their tiny building and ran – ran in their pajamas amid falling debris and burning shreds of paper – across Manhattan to the Brooklyn Bridge. Across the Brooklyn Bridge to safety at a friend’s apartment.

They all survived that day, those young people, and they are living and working and thriving as I write this. But I know that a part of their core being, in their minds and their hearts, remains forever rooted in that day.

And so it is for those of us who stood farther from the hideous signal of a world we did not completely, perhaps at all, understand. We are still struggling to get to sanity. Let it be.

https://www.youtube.com/watch?v=W5vGho1fEw4

 

 

Looking for America — again …

“Counting the cars on the New Jersey Turnpike/ They’ve all come to look for America … America …”

~ Paul Simon

But the place where I’m looking for America these days is not the New Jersey Turnpike.  Life here in Rockbridge County, VA is never dull. On the one hand, you have breathtaking views and a county seat of some 8,000 inhabitants of whom perhaps 25 are published authors.

There are two nationally known colleges –Washington & Lee University  and  Virginia Military Institute – both of which annually rank high in the ubiquitious US News & World Report liberal arts colleges ratings.

As Labor Day signals the start of a new school year,  tomorrow’s opening convocation speakers will be  Charles R Johnson at W&L, award-winning philosopher and scholar, whose novel  Middle Passage is being staged as a theater production in Chicago this fall; and at VMI, renowned foreign-policy observer and best-selling author Robert D. Kaplan.

 charles-r-johnson      51idsm4kvzl-_sy344_bo1204203200_     index

But scratch our polished surface and you’ll find a county where Trump-Pence lawn signs abound; where typically the town votes blue and the county votes red; and where both colors surface together pretty frequently in the form of the Confederate battle flag on T-shirts, trucks and alas, even flagpoles.

And that’s why I’m currently reading Hillbillly Elegy by J.D. Vance, recently interviewed on NPR’s” Fresh Air.”  I’ve said before how much of what’s happening in our country right now can be explained by the long-suppressed rage of  Angry White Men (another book touted on NPR). I cited Joe Bageant’s Deer Hunting With Jesus: Dispatches from America’s Class War as the best explanation yet of why we’re in this mess: Why Donald Trump can incite riots at rallies; why we can’t rein in police departments run amok; why – fifty years after we thought we’d declared human rights as our nation’s civil rights — we are still struggling to leave a deeply stained past behind.

Yesterday in neighboring Buena Vista  — once the thriving industrial hub of our rural county, now the crossroads of Appalachia and post-industrial America – the Labor Day parade featured a near-life-sized figure of Donald Trump astride a rearing acrylic white stallion on a truck-drawn float. The parade’s slashes of red and blue  just served to underline in bold strokes  the deep divides in this deceptively pastoral county:  We have “from heres” and “come heres” ; multigenerational farm families who raise bees and know how to fix a tractor, and double-degree  academicians; mainstream Christians and fundamentalist evangelicals; people who support gay marriage and people who attend Tea Party gatherings. You name it, we have it: atheists, Muslims, Sikhs and Jews;  descendant of settlers from the 1700s and newly arrived Congolese refugees struggling with English … we are, in short, in this tiny community, a perfect microcosm of our strife-torn, battle-weary nation.

Pretty much the only thing we haven’t done here so far is start shooting each other – credit all of us for maintaining the frayed surface of civility, but it’s wearing thin. And that’s why I am reading Hillbilly Elegy. Because J.D. Vance explains how and why his “hill people” aren’t doing so well. How they left the destitution of eastern Kentucky to fan out across Ohio, Pennsylvania, Indiana, Illinois, to Chicago and Detroit and beyond—to give their children a shot at the American Dream, and how that Dream turned its back on them. Why they are angry, and sick, and weary beyond telling.

Like Bageant, Vance acknowledges that the woes of impoverished  post-Appalachian whites are often self-inflicted. They cling to family even in dysfunction; they are too proud to ask for help;  they often blame everyone else for their failure; and – thanks to the post-World War II industrial boom — they are now spread all the way across this country. Their religion, what’s left of it, is and always was an angry, punitive Calvinist doctrine. They lack the community faith that has sustained black Americans through the worst adversity and the hope that propels arriving immigrants.

And that brings me to my plea:  Don’t judge, don’t excuse, but please read the background of what has brought us to this national divide, cynically manipulated by powerful interests. We know that the angry white  minority is just the lever those interests have long employed to keep the races, and more recently the entire nation, divided.

The crisis in this country IS a class war, and it has been in progress for a long time. It won’t be over unless and until everyone is included – whether we think they deserve it or not. And that means a national conversation that includes the out-of-work, down-and-out, gun-totin’ people of eastern Kentucky and southwest Virginia.

Read Hillbilly Elegy or Deer Hunting With Jesus.  Please.

 

Jim Webb, Joe Bageant, Harper Lee, and the rest of us

Yeah, I really wish Jim Webb hadn’t dropped out of the race so fast.

I am living next door to the heart of Appalachia, 12 miles from where Jim Webb’s grandparents are buried.

So when Deer Hunting With Jesus: Dispatches from America’s Class War (Joe Bageant, Three Rivers Press, 2007) showed up in our local bookstore, I bought a copy.

You should too. It will explain a lot about why Donald Trump is shattering the GOP; why we have unfettered mass shootings nationwide; why our schools are failing, race is still an issue, and people are living in deteriorating double-wides.

Jim Webb understands all of that. So does Joe Bageant. It’s about class warfare and Calvinism. And so – oh, yeah – it also explains Ted Cruz and a bunch of other stuff. Read the book. Please.

Webb and Bageant both grew up on the edge of America. The poor white edge. Both transcended the world they were born to. Both understand that even that world, with its fingernail grip on the phantom of the American Dream, no longer exists.

And in a nutshell, folks, that’s our problem. That’s why our fellow citizens are flocking to Trump.

America is broken. And until we fix it, we are all screwed, as surely as the disenfranchised lower LOWER middle class men and women who used to work the night shift at Rubbermaid in Winchester, VA, like Joe Bageant’s family.

I don’t have a solution, and neither does Bageant – but at least he can give you a complete understanding of the problem. And if Jim Webb could have gained any traction, I thought he might have been able to help us solve it.

Here’s the thing: Up through the civil rights struggles of the ‘60s, the poorest whites in America were kept in check by the belief that they were better than African Americans, and that if they just sucked it up long enough, they – the poor white class – would be allowed to rise into the middle class. And sometimes that happened. They knew that the implicit, complicit, immoral but handy race divide insured that THEY would never be at the bottom of the heap. So they had hope.

This is something that Harper Lee understood very well. In the wake of her death, her bifurcated take on Atticus Finch has been in the news again. His daughter Scout’s Uncle Jack, in Go Tell a Watchman, sums it up this way: “Up popped Tobacco Road … For years and years, all that man thought he had that made him any better than his black brothers was the color of his skin … he sits nursing his hangover of hatred … Look at the rest of the country. It’s long since gone by the South in its thinking. America’s a brave new Atomic world and the South’s just beginning the Industrial Revolution.”

That’s Ms. Lee’s take on the South of the 1960s. But what Bageant explains – and Jim Webb very well understands – is how in the wake of globalization, even that hope is gone. As it should be, all things considered – because it was ALWAYS a class war. It was always a class war. It was just disguised as a race war.

The real kicker, as Bageant explains, is that the poorest white class who were concentrated in one place and had been here the longest – in the American South and every place it has now reached to — are of Calvinist descent. THAT means that they believe – again, in a nutshell – that if they are not succeeding, it is because they have sinned.

Conversely, if they see someone succeeding – someone like Jerry Falwell or Donald Trump – they KNOW that he is living in God’s grace.

The irony, of course, is that it brings them to follow, vote for, and believe in the very class that is exploiting them. They believe what they hear from those who’ve succeeded at their expense. The class war that might have led them to unionize, or at least protest – and to get to know people of other races who are fighting the same injustices – that war has virtually been lost.

By now it is all probably completely unconscious and subliminal. But it is THERE. And it explains a lot: Fox News. Donald Trump. Even mass shootings. The despair and anger that have no viable outlet.

Bageant explains how, in his hometown, the local people of means manipulate exhausted Rubbermaid workers by their superior knowledge of who and what you should be voting for – and also by covert intimidation. Those few exhausted workers who still DO have jobs are getting less pay and fewer benefits than of old. And their jobs could go abroad most any time.

The rest of the populace is working two or three jobs without any benefits or job security, and they are way too exhausted to think through what their “betters” are telling them.

It doesn’t fool Bageant. Or Webb. And it will continue to haunt us until someone actually figures out a viable, practical way to make America whole again. Clinton? Sanders? It’s a tall order.

Where is that FDR guy when you need him?

Selma and Beyond; Honoring John Lewis

Fifty years since Selma, since the Edmund Pettus Bridge, thoughts of all that we all have been through are news. They’re also in our hearts and minds as we see the film SELMA, as we read the newspapers, perhaps as we catch a sound bite of President Obama speaking on that bridge.

So it was with great anticipation that we took our seats on Wednesday in Virginia Military Institute’s Cameron Hall to witness an award being given to Congressman John Lewis.

Congressman, and so much more. A man who in his own words has walked with the wind. Son of sharecroppers. Civil rights leader on that fateful Bloody Sunday on the bridge, and for all the years since. We expected eloquence. He gave us that and a whole lot more – humor, inspiration, and a challenge not to forget who we are and what this country’s promise has always been.

He said:

  • When he was a child, and he’d see the signs of segregation everywhere – “White” – “Colored” on the signage and in the faces and the body language of everyone around him – he’d ask his parents, “WHY?” They’d tell him, Don’t make waves. Don’t ask questions. Be a good boy and stay out of trouble.
  • But sometimes you have to make trouble. Good trouble. Necessary trouble. Martin Luther King, he said, made good trouble. Necessary trouble. So did young Jonathan Myrick Daniels, VMI graduate, seminary student, civil rights activist. Daniels was the reason John Lewis was with us that day. More on that shortly. But John Lewis also said,
  • “I thought I would die on that bridge that day” as the billy club came down and the horses surged forward. “I thought I saw death that day. I thought I saw death.”
  • What we did – what he and King and Daniels and so many others did in those tumultuous, too often fatal years, yet years of hope and progress, what THEY did “saved the soul of America.”

John Lewis was there to receive the Jonathan M. Daniels ’61 Humanitarian Award from VMI. It is only the fourth time it has been given in almost 20 years. Earlier recipients were Jimmy Carter, Andrew Young, and international humanitarian Dr. Paul Hebert.

Jonathan Daniels was working in civil rights in Alabama, outside of Selma, when he gave his life to take the gunshot intended for a 17-year-old African American, one of his fellow protesters. Ruby Sales went on to attend theological seminary, work as a social activist, and found SpiritHouse in Washington, DC.

John Lewis also reminded us that we must not say we haven’t made progress. Those signs, those “White” and “Colored” signs, he said, will not be seen again except in museums. Books. Films. And the young men and women of VMI who sat listening, he said, must carry it on.

If anyone can say this now, in spite of Ferguson, in spite of Trayvon Martin and Eric Garner, in spite of all we see around us, it is John Lewis.

We hear you, Congressman Lewis. This country was founded on great promise with a subtext fabric of some lies. Can we now unveil them, confront them, lay them to rest? And do we start making the necessary trouble?

The Silent Bricks…. of Lexington

I’ll preface this by saying that in all the years I lived away from here, there was probably never a day I didn’t think at some point of the brick sidewalks of my hometown. They are not just any bricks, physically or symbolically. They’re from the 19th century. They were cast and baked here. We all recognize their patterns, because they are in our souls. They are part of what called me back to this town in the mountains of Virginia.

My friend Beverly Tucker describes them more eloquently than I could have imagined. In doing so she speaks not only of the bricks in our village’s historically wealthy streets but also of those up in what was the African American quarter of town, on Diamond Hill. Here’s what she has to say:

Strolling through the village one is struck by the uniqueness of the pathways and walks. The walks are paved with bricks specifically designed for Lexington, Virginia (otherwise known to us as “ the village”) and are appropriately referred to as the “Lexington bricks.” They are subtle in appearance, dignified in their silence, a dignity earned through the most difficult measures. If one should be inclined to notice the symbolism that links Lexington’s African American community to those pathways, the metaphor presents itself obviously.

The brick walks have been present there in their role of quiet support… as leaders… as followers… deeply grooved… only to be worn so smooth that their original form often fades to tiny rises and falls apparent only to the touch. They have been relocated, walked on, written on, spat on, broken, cracked, bought and sold.

In perfect response and form, they remain strong and true to purpose. They have felt the heel marks of history, slept under the snow, baked in the sun, enjoyed the spattering of afternoon thunderstorms, been kissed by the sugar maple, blown over by the wind, and still they look up and remain unmoved from their strength.

The bond is greater for its historical journey to the final experience and safety on the hill called Diamond…. and they will be bound for as long as they last no matter the triumph or defeat that makes its way to their place. They have been fired to face adversity and endure. That strength and endurance is firmly stacked for us to make our way from here to there. Look down to see their provenance. Look up to see their prophecy. The silence can now be heard…………..

The Anthropology of Food …

Image courtesy of wholeuniverse.com: "The Anthropology of How We Eat"
Image courtesy of wholeuniverse.com: “The Anthropology of How We Eat”

… check out my new food blog at http://wholeuniverse.com/anthropology-eat-sugars-fats-salt/ :

The Anthropology of How We Eat: Sugars, Fats and Salt

by Lisa TracyLook up “food anthropology” on the Web, and you’ll find some fascinating tidbits. One study posits that our gut bacteria are responsible for our cravings. Another says it’s whatever culture we grew up in. A third talks about the uniquely human phenomenon of cooked food. It’s the dopamine, says a fourth site ~ our brains are wired for pleasure, and sugars, fats, and yes, salt trip the nervous-system wires that send the signal to the brain to release the pleasure-linked chemical.

Yes, all good. But WHY?

Why do we eat what we do, and why do we WANT to eat foods we know aren’t healthy?

Let’s start somewhere on this side of the Paleo Diet: Let’s start with potato chips, candy bars, and the Industrial Revolution … read more at http://wholeuniverse.com/anthropology-eat-sugars-fats-salt/